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  • Art or Algorithm: Why the AI Lawsuit Narrative Misses the Mark

    Art or Algorithm: Why the AI Lawsuit Narrative Misses the Mark

    A wave of panic is sweeping through the indie music scene, driven by lawsuits and social media personalities claiming to defend artists from the supposed dangers of artificial intelligence. The most recent flashpoint comes in the form of a YouTube video titled “Exposing Suno, Udio & Timbaland: NEW Indie Class Action Lawsuits Explained.” It’s making…

  • Tapegerm Collective Germination 1.23

    Tapegerm Collective Germination 1.23

    Germination 23 1-Blinker! (3:08) This one’s for all those people who do not use a blinker when turning yet think they have the right of way even though you cannot tell which way they are going. Loops: International Garbageman, Bryan Baker, AutoCad, JP Bergman, Fakshun Zo-E, Scott Carr, Mike Cole, Chainsaw Riot, Mungojelly. Mix: Chris…

  • Why I’m Releasing All My Music Under CC BY 4.0

    Why I’m Releasing All My Music Under CC BY 4.0

    Copyright law is broken. It doesn’t protect creativity—it fences it in. That’s why I’m releasing all of my music under the Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows anyone to use, remix, adapt, and build upon my work—even for commercial purposes—so long as they give me credit. That’s it. No…

  • How to Generate Your Own ISRC Codes

    How to Generate Your Own ISRC Codes

    Yes, you can generate your own ISRC codes — but only if you register to become an ISRC Manager (Registrant) through your national ISRC agency. Here’s how it works: What is an ISRC? An ISRC (International Standard Recording Code) is a unique identifier assigned to each individual recording (not to an album, but each song…

  • Danielle Prendiville – Hooray For The Whole Array (Digital, 2025)

    Danielle Prendiville – Hooray For The Whole Array (Digital, 2025)

    GAJOOB Review by Bryan Baker Daniel Prendiville has been a GAJOOB mainstay for a quarter century now—woven through the fabric of so many projects we’ve stitched together: from the Homemade Music Shop to the remix-happy Tapegerm Collective. His presence has always been marked by a DIY integrity and sly sonic inventiveness, often landing somewhere between…

  • How a DIY Band or Label Can Start Marketing Themselves in 2025 and Beyond

    How a DIY Band or Label Can Start Marketing Themselves in 2025 and Beyond

    Marketing as a DIY band or label in 2025 doesn’t mean selling out—it means showing up. With the right tools, mindset, and a bit of grit, independent artists today can build real audiences without needing a corporate machine or massive budget. Here’s how to start attracting true fans, engage them directly, and grow a sustainable…

  • How Bandcamp Works for Labels: A Guide to PRO Accounts and DIY Artist Collaborations

    How Bandcamp Works for Labels: A Guide to PRO Accounts and DIY Artist Collaborations

    Bandcamp has become a powerful platform for independent musicians and labels to distribute and monetize their music. While many think of it primarily as a direct-to-fan platform for individual artists, Bandcamp also supports labels—both established and DIY—with a specialized tier called the Bandcamp PRO for Labels account. This article explains how PRO accounts work, how…

  • American Composers Forum Call For Submissions Page

    American Composers Forum Call For Submissions Page

    The American Composers Forum (ACF) offers a dynamic and inclusive platform for music creators through its Opportunities page. This curated listing features a wide array of calls for music, festival participations, commissions, and grant opportunities. ACF is deeply committed to equity, access, and anti-racism, ensuring transparency in its selection processes and practices. Current Opportunities Here…

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The prospect of actually remixing a real song was quite exiting, and revived the feeling I had when I would finish one of those early songs and realise I actually created something new, even if it sounded terrible.Polish Rhino

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