Jon Porobil Interview
by Bryan Baker. This interview was conducted around the release of Jon’s Stages album. Tell me about the cover art. Sure! The cover art was done digitally by my friend…
Heather Perkins Interview
Your Dangerous Household Objects was one of the first underground, home taper cassette albums I purchased back in the late 80’s. I’d been home taping for a few years at…
Tom Furgas Interview (1999)
Tom Furgas was the first hometaper interviewed in GAJOOB’s first issue from 1987. His tape, Courtesy Patrol’s Razor Clocks with collaborator Bill Lehman was an early spark in my now…
Packet In Interview (2015)
Tim Kaiser Interview 2021
Your work has been choreographed by Anna Galikowska-Gajewska PhD, Music Academy Gdansk, Poland. I thought it was a wonderful marriage of movement and sound. How did it come about? Innova…
Plastic Eye Miracle Interview
Interview with home tapers Plastic Eye Miracle on Now That’s Interesting, a show within a show on The Musical Transportation Spree, KFAI (Mpls-St. Paul). Ohio’s prolific, creative PEM (Michael Gonzales…
Beatrice Green Interview
Beatrice Green is a generative language model hypothetical artist in her 70’s, living and creating in Salt Lake City, Utah.
Jim Shelley Interview (GAJOOB #10, 1992)
GAJOOB: How did you get started in home recording? Jim Shelley: It’s kind of cloudy now when I think back on how I got started in home recording. I know that…
Dave Fuglewicz Interview (Improvijazzation Nation)
http://rotcodzzaj.com/42-2/improvijazzation-nation-issue-133/issue-133-interview-with-dave-fuglewicz/ I believe this interview is from the mid-1990’s, judging from the content.
Packet In Internet Band Interview (2015)
This interview was conducted in the forums at gajoob.org in 2015. It centers on an online collaboration project the participants called “Packet In” BRYAN: I’m gathering, following links from archive.org…

The Recording Artist Network area at dabodab features articles, insights and resources collected by GAJOOB’s Briyan Frederick. The topic here is making your way as a recording artist, whether you make music for fun and want people to hear or whether your interested in another take on the business side of it all. My take is most probably layered with a DiY approach. Fair warning.
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